selenak: (Rheinsberg)
[personal profile] selenak
Overall impressions: definitely far more informative than the previous August(us) biography we've come across. The subtitle indicates where Blanning is going with this. Another subtitle could have been "His times and life", since there is certainly a lot about contemporaries not August(us) - Charles of Sweden and Peter the Great, most prominently - but since they vehemently influence his life, justifiably so. Still, it is noticeable that the biography starts with our hedonistic hero already an adult and later gives only the briefest of summaries of his childhood and youth. There is more than enough about the Great Northern War to satisfy Mildred, but also, justifying the other part of the title, about Saxony in general and Leipzig and Dresden in particular as cultural hotspots and amazing achievements in that sense under Augustus. In terms of August's private life, Blanning announces he has no intention to cover every mistress and provides just details on the most important ones, Aurora von Königsmarck (his fave), Fatima (the Turkish one) and of course Countess Cosel (he's a bit baffled about the severity of her fate and doesn't think the marriage promise alone explains it). Ditto for the kids, which, alas, means nothing about the Countess Orzelska. (Possibly having deflowered Fritz doesn't compete with having been France's military hero and ancestor of George Sand.)

Why young Augustus puts his brother's lover's mother through a Witch Trial )

Young Augustus Goes Catholic and Gets Poland )

Poland: Impossible to Govern (Not just for Saxons) )

The Perils of Pissing Off Charles of Sweden )

The Case for Augustus the Artist )

Quotes, Quotes, Quotes )
selenak: (DandyLehndorff)
[personal profile] selenak
The "Rothschild" in the title made me a bit wary because invoking the Rothschilds was such a popular antisemitic slander (these days, it's more George Soros who gets drafted for the same type of insinuation), but whatever else this book is, it's not antisemitic. In fact, even when the 7 Years War Fritzian war crimes complete with coin clipping are invoked, the author doesn't, as opposed to, say, Poniatowski in his memoirs, connects this with some antijudaistic slurs. Which doesn't mean the author doesn't have other axes to grind, because boy, does he ever. (More in a second.) But as this book is a passionate Brühl defense, "Rothschild" was - like Medici and Richelieu - meant as a compliment, signifying rich patron of the arts (in addition to master politician etc.).

Now, about those axes. Here's my experience reading the preface (as is my wont, and how we've discovered many an interesting thing, including Henri de Catt, RPF writer.)


AvB: How WWI could have been avoided: by MT winning the 7 Years War )

General overview of the biography )

Okay, on to details.

Portrait of the Brühl as a young man )

1730s Diplomacy: Send Tall Guys )

Ulrich von Suhm: Trusted Brühl Envoy and Master of Realpolitik )

Time Warp: Remember Manteuffel bribing courtiers and prostitutes? )

Brühl and MT during Silesia 1 and 2: He wasn't sure she was serious! )

Brühl sponsors the Arts in Peace Time and plots the Diplomatic Revolution )

Fritz destroys Saxony and Brühl's reputation )
mildred_of_midgard: Frederick the Great reading a book and holding a dog. (Greyhound)
[personal profile] mildred_of_midgard
Remember when [personal profile] selenak gave us a truly royal write-up of Sachsens Glanz und Preußens Gloria that was almost as good as having seen the miniseries?

And she reported this:

Brühl: So, I've been thinking. Silesia got unfortunately nabbed by Fritz of Prussia, but Saxony can still end up as a superpower by diplomacy, since he's been pissing off everyone else in the last decade. I' have this brilliant plan of creating an alliance between France and Austria, with Russia and Sweden joining in. And Saxony right in the middle.

Moscynska: Wow. How come you're letting this Kaunitz guy all the credit?

Brühl: I'm modest like that.


With later commentary:

[personal profile] selenak: Plans to invade and take Silesia by people not Fritz: well, I guess both Poland and Saxony do in fact share borders with Silesia, but Sulkowski planning to take it is entirely invented (by either the tv show or the original novelist). Yes, the Austrian army was in decline, but the Habsburgs still had not only their territories but the entire HRE to draw on (since this was before MT's Dad had died, his rule was uncontested). Such an action would have made August III. an outlaw all the other German princes would have been obliged to go against. And the Saxon army really wasn't nothing much, not least because all the money went elsehwere. If you don't have a completely modern, drilled and well equipped army at your disposal like Fritz did in 1740, in a situation where MT's rule hasn't been accepted yet, it can't be done.

It is, however, in tandem with this show letting the Saxons think of everything first - Silesia, and later the Diplomatic Revolution. (It's true that Brühl was involved in some of the negotiations, but it definitely hadn't been his brainchild.)


The TL;DR of my recent findings is:

Getting (at least part of) Silesia was one of Saxony's two main goals from at least 1726 to 1756. (The other being making Poland a hereditary monarchy.) They had absolutely no chance of taking it by force, for the reasons Selena spelled out, but they were relentlessly campaigning to get it by diplomacy. So the miniseries was...on the right track about Saxony's goals but taking creative license with their methods for dramatic purposes?

Once Silesia was in Prussian hands and Prussia had permanently alienated Saxony, the only way to get Silesia was by taking it from Prussia. Which Saxony absolutely could not do, for the reasons Selena spelled out. So Brühl set out on a mission to get Austria and France to set aside their differences, form a coalition with Russia and whoever else wanted to join (hopefully GB), and wage war on the real enemy: Fritz. Brühl's attempts to pull off the Diplomatic Revolution started in 1744, 5 years before Kaunitz's first memorandum, and continued unbroken for 12 years, independently of Kaunitz, so the miniseries got at least that much right!

Unfortunately for Brühl, not only were his efforts unsuccessful, but he missed his brief window in 1756 to join Kaunitz's coalition, so everything generally sucked for Saxony all around.

Background )

Silesia )

Wannabe Diplomatic Revolutionaries )

Footnote )

Saxony's Diplomacy and Prussia's Gangsters With Good PR )

It's Personal )
selenak: (Fredersdorf)
[personal profile] selenak
Frederician icons from Sachsens Glanz und Preussens Gloria, shamelessly pandering to dog lovers. (Also represented: Fredersdorf and the Flute.)

FritzHund9-a FritzHund9 FritzHund7

FritzHund6 FritzHund4 FritzHund3

FritzHund2 FritzHund1 FritzFredersdorf1

FritzFl_te2 FritzFl_te1

As ever, anyone who wants one can have it; credit would be nice.
selenak: (Sanssouci)
[personal profile] selenak
This was not just an but the most famous, most expensive GDR tv production, and somehow I didn't watch it until this last week. The title is somewhat misleading, since it's All Saxony, (Nearly) All The Time, and Prussia only has two cameos (in episode 2) in the first four episodes, not becoming equally important in terms of location and character until the last two episodes (which are set early in the Seven Years War). The miniseries is loosely based on a a series of novels by a nineteenth century Polish author collectively referred as "the Saxon series". If he already took liberties with history, the show then added some. Something else to keep in mind: it was created in the 1980s. The first few decades, East Germany found dealing with its Hohenzollern past a bit tricky. On the one hand, imperial feudalism = BAD, obviously. On the other hand, by the 1980s, the GDR was in dire need of money, tourists were an income, and national pride was a thing again. And given the content of this miniseries, I also suspect someone in the production team said: "You know how they're all glued to the tv screen in the west, watching these decadent American shows where people have sex and scheme all the time? We can do that, too, with more nudity than the Yanks and way better fashion, and still justify it as national heritage!"

Keep this in mind as I give you the summary of the six episodes:

Episode 1 + 2: Countess Cosel, or: Anne Boleyn in Saxony )

Episodes 3 + 4: Brühl, or: The J.R. Ewing of the Rococo Age )

Episodes 5 + 6: 7 Years War, or: In which Fritz becomes a main character )

And now for the screencaps:

Fritzian Screenshots from the above )

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